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Sandiii23 Registered User
Registered: 4/15/2018 | posted: 4/15/2018 at 8:27:26 AM ET Generally considered to be from ca.1420 to 1600, the Renaissance (which literally means "rebirth") was a time of great cultural awakening and a flowering of the arts, letters, and sciences throughout Europe. With the rise of humanism, sacred music began for the first time to break free of the confines of the Church, and a school of composers trained in the Netherlands mastered the art of polyphony in their settings of sacred music. One of the early masters of the Flemish style was Josquin des Prez. These polyphonic traditions reached their culmination in the unsurpassed works of Giovanni da Palestrina.
Of course, secular music thrived during this period, and instrumental and dance music was performed in abundance, if not always written down. It was left for others to collect and notate the wide variety of irrepressible instrumental music of the period. The late Renaissance also saw in England the flourishing of the English madrigal, the best known of which were composed by such masters as John Dowland, William Byrd, Thomas Morley and others.
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| Sandiii23 Registered User
Registered: 4/15/2018 | posted: 4/15/2018 at 8:28:02 AM ET Generally considered to be from ca.1420 to 1600, the Renaissance (which literally means "rebirth") was a time of great cultural awakening and a flowering of the arts, letters, and sciences throughout Europe. With the rise of humanism, sacred music began for the first time to break free of the confines of the Church, and a school of composers trained in the Netherlands mastered the art of polyphony in their settings of sacred music. One of the early masters of the Flemish style was Josquin des Prez. These polyphonic traditions reached their culmination in the unsurpassed works of Giovanni da Palestrina.
Of course, secular music thrived during this period, and instrumental and dance music was performed in abundance, if not always written down. It was left for others to collect and notate the wide variety of irrepressible instrumental music of the period. The late Renaissance also saw in England the flourishing of the English madrigal, the best known of which were composed by such masters as John Dowland, William Byrd, Thomas Morley and others.
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| Sandiii23 Registered User
Registered: 4/15/2018 | posted: 4/15/2018 at 8:28:33 AM ET Generally considered to be from ca.1420 to 1600, the Renaissance (which literally means "rebirth") was a time of great cultural awakening and a flowering of the arts, letters, and sciences throughout Europe.
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| Sandiii23 Registered User
Registered: 4/15/2018 | posted: 4/15/2018 at 8:28:45 AM ET http://www.botoxclinicmanchester.co.uk
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| Sandiii23 Registered User
Registered: 4/15/2018 | posted: 4/15/2018 at 8:30:17 AM ET Named after the popular ornate architectural style of the time, the Baroque period (ca.1600 to 1750) saw composers beginning to rebel against the styles that were prevalent during the High Renaissance. This was a time when the many monarchies of Europe vied in outdoing each other in pride, pomp and pageantry. Many monarchs employed composers at their courts, where they were little more than servants expected to churn out music for any desired occasions.
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| Sandiii23 Registered User
Registered: 4/15/2018 | posted: 4/15/2018 at 8:31:17 AM ET It was during the early part of the seventeenth century that the genre of opera was first created by a group of composers in Florence, Italy, and the earliest operatic masterpieces were composed by Claudio Monteverdi. The instrumental concerto became a staple of the Baroque era, and found its strongest exponent in the works of the Venetian composer Antonio Vivaldi. Harpsichord music achieved new heights, due to the works of such masters as Domenico Scarlatti and others. Dances became formalized into instrumental suites and were composed by virtually all composers of the era. But vocal and choral music still reigned supreme during this age, and culminated in the operas and oratorios of German-born composer George Frideric Handel.
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| Sandiii23 Registered User
Registered: 4/15/2018 | posted: 4/15/2018 at 8:32:01 AM ET From roughly 1750 to 1820, artists, architechts, and musicians moved away from the heavily ornamented styles of the Baroque and the Rococo, and instead embraced a clean, uncluttered style they thought reminiscent of Classical Greece. The newly established aristocracies were replacing monarchs and the church as patrons of the arts, and were demanding an impersonal, but tuneful and elegant music. Dances such as the minuet and the gavotte were provided in the forms of entertaining serenades and divertimenti.
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